One has a _danseuse_
who spins around so fast that she bores a hole in the floor of the stage
with her toe; and to emulate this, the other produces sixty danseuses,
all imported from Europe, who spin around so fast that you cannot see
them at all. They are all there on the stage, but from the rising to the
falling of the curtain, their velocity is such that they are absolutely
invisible. The one announces no tedious waits; the other no tiresome
measures. Fox guarantees no jokes of his stale; but this statement is
ridiculed in the Chestnut bur-letta. The one advertises itself as the
cradle of wit, but the other does not abate its scoffin' a whit. The one
has a fountain of real water and MORLACCHI; while the other would have
the Gulf Stream, if it did not lack MAURY.
But these are not the only peculiarities of Philadelphia amusements. A
short time ago, the Conchological Society of that city gave a concert.
Did anybody ever hear of a Conchological Concert before? This affair was
a success, owing, perhaps, to its novel programme. "Shells of Ocean" was
of course sung as a solo, a duet, and a chorus; and SHELLEY'S
"Nightingale" was set to music and played as a 'cello solo.
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